When I learned that Madonna – aka the Grand Priestess of the music industry – would be performing at the Superbowl halftime show, I thought: “This should be interesting”. And it was. While most were amazed by a woman in her fifties dancing around with LMFAO and others were annoyed at her lip-syncing, I was interested with something else: the flurry of symbolism flashed to billions of viewers worldwide. While most considered Madonna’s performance as an entertaining interlude to the most important football game of the year, those blessed with symbol-literacy will probably agree with the following statement: Madonna’s halftime show was a big celebration of the Illuminati industry and of its Grand Priestess, Madonna.
A week before the Superbowl, Madonna described on Anderson Cooper the spiritual importance she attributed to her halftime show:
http://vigilantcitizen.com/musicbusines ... -industry/
So, we see ‘Madonna’ (the Virgin Mother) representing Egypt’s Cleopatra (who embodied Isis, mother of Horus/Osiris). The first song (Vogue – lyrics here) begins with this ‘daughter of men’ cavorting with a winged being (one pair of wings on his back, another on his feet, and a lyre in his hands). This could be Mercury, or it might also represent Lucifer/Saturn/Satan. Once this initial dance is over, the ‘Madonna’ then dances with all the ‘creatures’ (one looks like he has a goat head, another is part cheetah/leopard, one appears to be a snake, and the Virgin ‘rides’ him). This is a deliberate picture of a Genesis 6 style orgy!
As the Vogue number has ‘impregnated’ the Virgin Isis/Semiramis, the number ends with a pose, and the lights reveal a winged disc (the Egyptian sun symbol). The orgy continues now, enjoining the world to do the same–through Music. (Music – lyrics here). Performers from Cirque de Solei (circle of the sun) join Madonna as well as the rap duo LMFAO (if you don’t speak ‘internet’, this is an acronym for Laughing My F-ing A_ _ Off — apologies for the language). All the dancers are dressed in animorphic attire, almost as if animals and humans have interbred. Hmm… These combination creatures (chimeras) also wear Egyptian and Roman dress (the high wire man is wearing a short toga–careful there!), and they also wear capes (indicating superhuman abilities). Ending this portion with the lyrics “I’m sexy, and I know it”, this Virgin/Whore now demands worship.
The scene shifts to a cheerleader number. Dressed in white and red, the ‘vestal virgins’ join in worshiping their queen of heaven. This is a highly erotic, lesbian orgy, and Madonna is joined by two other females singers (M.I.A. and Nicki Minaj – note that her name reminds of us ‘menage a trois’. MIA, by the way, offered a middle finger to her audience–thanks so much for that!). The song is from Madonna’s latest albun (MDNA), called Give Me All Your Love – lyrics here. The white of the women’s attire represents purity, but the red (centered on their vital organs) reminds us of blood and sacrifice). The world is expected to love and worship this Isis/Semiramis/Whore of Babylon, and we are expected to love her unto death if required.
Enter the marching bands–each from one side, merging in the center. The platform bears numerous stars (pentagrams), but the center where they meet is a laurel circlet with a round white circle inside, and within that ‘orb’ is a red circle with the ‘M’ of Madonna inside–by the way, ‘M’ is shorthand for ’13′, since it is the 13th letter of our alphabet). This central imagery looks like a blood red eye (HORUS, the child), and above it is a CROWN. The bands are like warriors from the east and west, merging at the center of the New World Order for s staged battle.
The next song begins: Open Your Heart – lyrics here. although, this is a very short excerpt of the song, the words speak of a forced worship/love and of finding a key. Curiously, this is a song of unrequited love–a sad, lonely woman, who has lost the love of the world (the WHORE is rejected by the warring ‘Beast’, portrayed by Cee Lo Green, who carries a large scepter. He is the ‘Priest/King’, and he subdues the Harlot. Perhaps, the song is truncated because the war is short, and the Harlot, along with her followers must now worship the Beast (Horus/Satan).
The stage morphs into the setting for the final scene, and the lights show us a ‘black sun’. The imagery here is one of sacrifice, this time it is the Woman who must die. We see a chorus in black and white, led by the Beast, now robed as a priest. Two women (one on either side of the Woman) turn away as if to show rejection as the Beast Priest steps forward (just after Madonna sings, “and it feels like home”). The two now stand, side by side, as if in agreement. The platform rises into the air while the chorus dances and sings with them. (In the midnight hour, I can feel your power, just like a prayer, I want to take you there…I hear your voice. It’s like an angel sighing. I have NO CHOICE. I hear your VOICE. Feels like FLYING. I close my eyes, O God, I think I’m falling. Out of the sky, I close my eyes. Heaven help me!) As she sings these lyrics, the light show forms a black, swirling pit (like a black hole–ABYSS) below the stage. This odd ‘black hole’ fans out as the choir sings (It’s like a dream to me!), slowly forming the nations of the world. Madonna leaves the platform, climbing up the upstage stairs, leaving the ‘Beast’ in sole control of the New World Order.
The camera now centers on Madonna (Isis/Semiramis/Whore of Babylon), who has climbed into the stars. She repeats ‘Life is a mystery. Everyone must stand alone. I hear you call my name. And it feels like…[Here, she disappears, falling into the stars]…HOME.
The World Religion, led by the Woman who once rode the Beast is sacrificed, but she lives among the stars.
[Let me also point out this very interesting tidbit: This was Superbowl 46. There are 46 chromosomes in the human genome. The GIANTS won.]